Will you offer us a hand? Every gift, regardless of size, fuels our future. Artlist offers subscribers unlimited access to its entire music, SFX and footage catalogs, which are created by a growing community of independent musicians, producers, sound designers, filmmakers and cinematographers from around the world. Is this not a great way for Israel to end the Corona Virus ridden year of 2020? This and other big success stories have shown that Israel is now buying abroad instead of just waiting for foreign investments to come in to the country.įounded in 2016 by its Co-CEOs Itzik Elbaz and Yigal Ohanna, Artlist is a digital content licensing company that offers streamlined creative tools for filmmakers and video creators. So a Startup Nation startup, still relatively new and privately held, had $65 million to spend on buying an American company. Artlist bought out the company in order to acquire Motion Array’s video capabilities and technology tools, and versatile video template options. "Genesis J2T significantly increases the utilization of real-time observation-based data to reduce costly unconscious bias from assessments and forecasts, establishes cross-sector standardized metrics to calculate the impact of cross-sector factors, and uses real-time data observation-based feedback loops to recursively improve accuracy.Artlist, an Israeli startup which describes itself as the industry-leading digital content licensing provider, has acquired Motion Array, an American startup which offers a digital assets marketplace platform, for $65 million. "Dynamic conditions and the constitution and relative value of each of the elements that form an event are always distinct," said Donald Leka, Founder, Chairman and Chief Executive Officer of Jumptuit, Inc. Insights are granular, down to an individual employee's activities and workflow, and virtually any geo-coordinate. Genesis J2T uncovers exposures, conditions, and probabilities of events prior to activities commencing and actions being taken. The index measures the respective degree of each element and the collective value of the array of cross-sector elements to forecast the probability of an event. Genesis J2T presents a new dynamic cross-sector index for identifying coalescing elements across sectors of the economy, political system and other components of society, and external geopolitical, regional and environmental factors to forecast events. Genesis J2T provides scenario forecasting solutions for the transportation and logistics, insurance, finance, energy, agriculture, health, travel and smart city sectors S&P 500 Companies, large Private Companies, Government Agencies, Intergovernmental Organizations (IGOs), and Non-Governmental Organizations (NGOs). Genesis J2T is based on Jumptuit's Event Genesis Intelligence (EGI) that identifies the time and place of future events and generates adaptive scenario forecasting, based on continuous analyses of Real-Time-Cross-Spectrum-Data (RTCSD) captured via Jumptuit's Global Data Nets (GDNs). Genesis J2T discovers the cross-sector elements and coactions that constitute the genesis of global events, and continuously generates adaptive scenario forecasting.
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Simmons lighting, Ryan O’Gara sound, Mikaal Sulaiman projection design, Sven Ortel production stage manager, B.J. Sets, Robert Brill costumes, Toni-Leslie James and Devario D. Lane Marsh is executive producer.ĭirected by Steve H. Gayle Jennings-O’Byrne, Thomas Green, and Denise Spillane are associate producers. Nederlander, Gabrielle Palitz, Plankfedermanwolofsky Productions, Jana Shea, The Shubert Organization, Deroy/ Robertson/ Adler, and Rick Miramontez presentation of a play in one act by Keenan Scott II. Cornfield, Buzzy Geduld, Arlan Hamilton, Erik A. Mott, Winkler/ Cohen/ Fineman, Valencia Yearwood, Laura Z. Running time: 1 HOUR, 40 MIN.Ī Brian Anthony Moreland, Ron Simons, Diana DiMenna, Kandi Burress, Sheryl Lee Ralph, Samira Wiley, Hunter Arnold, Four Thoughts Productions, Dale A. ‘Thoughts of a Colored Man’ Review: A Welcome if Uneven Excavation of Black Masculinity on Broadway “To live.” What’s devastating is that it needs to be said at all. “All we ever wanted was to be ourselves,” Depression concludes. “Thoughts of a Colored Man” lays essential foundations for embracing the humanity of its subjects, while at the same time longing for a world that obviates its existence. In the intervening shutdown, a need for education in even the most rudimentary particulars of Black life has become painfully obvious.īut if the latest welcome influx of work by Black artists should prove anything, it’s challenging the notion that Black voices - and the experiences they express - are a novelty. “Thoughts of a Colored Man” joins a wave of new works by Black artists on Broadway this season when it was previously presented at Syracuse Stage and Baltimore Center Stage in fall 2019, only one such play appeared on the Great White Way. Frequent and audible assent at a recent performance proved that it satiates a clear and present hunger. The play seems to offer up its excavations for the dual benefit of viewers to whom they are unfamiliar (mostly white Broadway audiences) and those craving the glow of recognition (a hopefully growing number of Black theatergoers). Scott’s mode of expositional storytelling can also grow to feel didactic, in a way that feels in conflict with efforts to ground the play in everyday reality. The result attempts an uneven sort of naturalism, as the men posit one purportedly universal truism after another, tracing the outlines of life in place of illuminating its substance. Like Shange, Scott wields poetry like a magnifying mirror, drawing attention where too little has historically been paid, and spinning those revelations loosely into narrative.īut where “For Colored Girls” assembles vivid and discrete portraits into a kind of cosmic ritual, Scott and Broadnax plant their kicks on the pavement, purveying a streetside take on the men’s daily lives and intersections. “Thoughts of a Colored Man” shares clear lineage with another restless and expressive probing of Black interiority and outward entrapment, Ntozake Shange’s 1975 “For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf,” a revival of which is aiming for Broadway this spring. A scene at Wisdom’s old-school barbershop gathers the guys in a rare group interaction, more toward the purpose of traversing a roadmap of pressing social issues - redlining, the tyrannies of Black consumerism, homophobia - than generating character-driven drama. Scott favors language - verse, rhythm, rhyme - over action, and the men expound on their interior lives more often into the middle distance than in dynamic relation to one another. On a set by Robert Brill featuring a giant billboard as a kind of blank canvas, our primary encounters with each man come in the form of direct address, through which their backstories and resulting perspectives are mostly spelled out rather than illustrated. Most of the men know each other from around the neighborhood (Fort Greene or nearby, for eyes trained on Sven Ortel’s projections), and Scott hangs the play’s chronology on quotidian happenstance: a morning jog, a midday work break, coaching after-school basketball. Let’s do that:Īt this point, if we delete the exp branch, nothing changes. In this situation, merging is just a matter of moving the main reference forward until it catches up to exp. As you can see, the main branch is behind exp. Go back and take a look at the last diagram. When you delete a branch, what happens depends on whether the branch was already merged. That’s right: The commits are still there, and you might be able to recover them. When you delete a branch in Git, you don’t delete the commits themselves. So, what would happen if you deleted the exp branch? What Happens If I Delete a Git Branch? You switch to the new branch and add two more commits to it. Now you create a new branch called “exp.” The branch currently points to the same commit, so the scenario looks like this: Imagine you create a repository and add three commits: Branches are named, movable references to commits. What Branches Are In Git?īranching in Git is dead simple. Let’s start by examining what branches are in Git and what’s happening when you delete them. With that out of the way, we’ll now explore the deletion of branches in Git in some more depth. It’s like you’re pushing-sending-the order to delete the branch to the remote repository. You use git push, even if that sounds weird. You don’t use the git branch command to delete a remote branch. If you’re sure you want to do it, you’ll have to force the deletion by replacing the -d parameter with an uppercase D: If the branch contains unmerged changes, though, Git will refuse to delete it. To delete a local branch in Git, you simply run: If you just want to learn the correct incantation to delete branches in Git, we’ll start by offering the TL DR version. Also, make sure you have a GitHub account and are logged in. This tutorial assumes you have Git installed and know your way around the command line. Most importantly, you’ll learn what branches are under the hood to have a more solid understanding of what happens when you delete them. You’ll learn how to delete branches, both locally and in your remote repositories, and whether it’s possible to recover a deleted branch. This post is all about the Git delete branch operation. Efficient branch management is essential for using Git to its fullest potential. Until the butter basically disappears into the dry ingredients. Use a pastry blender to work the butter into the flour and sugar. Please read the recipe card notes for substituting all-purpose flour.ġ tablespoon plus 1 teaspoon baking powder.Īnd 1 teaspoon fine salt (sea or himalayan).ĭrop in 4 tablespoons (or a 1/2 stick) of softened unsalted butter. In a mixing bowl add 2 ¾ cup of cake flour. Spoon flour into measuring cup and then level it off with a knife. Give the flour a quick stir to fluff it up a tad. What Is the Best Way to Dry Measure Flour? Start by measuring and leveling the cake flour. Plus you can pronounce all of these ingredients. See there’s no reason not to make your own cake mix, you probably have these things in your fridge and pantry already.
Derivational prefixation in English tends not to change category, but it does add substantial new meaning, for example creating negatives ( unhappy, inconsequential), various quantitative or relational forms ( tricycle, preschool, submarine) or evaluatives ( megastore, miniskirt). For example, the creation of abstract nouns from concrete ones in English ( king ~ kingdom child ~ childhood) is a matter of derivation, as is the creation of names for trees ( poirier ‘pear tree’) from the corresponding fruit ( poire ‘pear’) in French, even though neither process changes category. Derivation need not change category, however. In the clearest cases, derivation changes category, for example taking a verb like employ and making it a noun ( employment, employer, employee) or an adjective ( employable), or taking a noun like union and making it a verb ( unionize) or an adjective ( unionish, unionesque). But derivation serves to create new lexemes while inflection prototypically serves to modify lexemes to fit different grammatical contexts. Either derivation or inflection may be effected by formal means like affixation, reduplication, internal modification of bases, and other morphological processes. The distinction between derivation and inflection is a functional one rather than a formal one, as Booij ( 2000, p. The study of derivation has also been important in a number of psycholinguistic debates concerning the perception and production of language. A number of topics have dominated the theoretical literature on derivation, including productivity (the extent to which new words can be created with a given affix or morphological process), the principles that determine the ordering of affixes, and the place of derivational morphology with respect to other components of the grammar. Most languages have derivation of some sort, although there are languages that rely more heavily on compounding than on derivation to build their lexical stock. Languages frequently also have ways of deriving negatives, relational words, and evaluatives. For verbs, causative and applicative categories are well-attested, as are relational and qualitative derivations for adjectives. For nouns, event and result, personal and participant, collective and abstract noun are frequent. Derived words may fit into a number of semantic categories. Reduplication is also widely found, with various internal changes like ablaut and root and pattern derivation less common. Affixation is best attested cross-linguistically, especially prefixation and suffixation. New words may be derived by a variety of formal means including affixation, reduplication, internal modification of various sorts, subtraction, and conversion. The distinctions between derivation and inflection and between derivation and compounding, however, are not always clear-cut. Derivation may be contrasted with inflection on the one hand or with compounding on the other. Derivational morphology is a type of word formation that creates new lexemes, either by changing syntactic category or by adding substantial new meaning (or both) to a free or bound base. The results yielded 11 key areas of concern: (1) minimizing harm, (2) maximizing welfare, (3) substantive justice, (4) procedural justice, (5) respect for individuals, (6) respect for communities, (7) regulatory gaps, (8) regulatory dysfunction, (9) perceptions of humanitarian aid and organizations, (10) relations between humanitarian organizations and industry, and (11) the identity of humanitarian aid providers and organizations. In particular, we used a hybrid approach of qualitative content analysis, along with quantitative landscape mapping, to inductively develop a typology of ethical considerations associated with humanitarian drones. Guided by the methodology introduced by Arksey and O’Malley, this scoping review offers an assessment of the ethical considerations discussed in the academic and gray literature based on a screening of 1,188 articles, from which we selected and analyzed 47 articles. Alongside these emergent uses of drones in the aid sector, debates have arisen about potential risks and challenges, presenting diverse perspectives on the ethical, legal, and social implications of humanitarian drones. These so-called ‘humanitarian drones’ represent the first wave of robotics applied in the humanitarian and development contexts, providing critical information through mapping of crisis-affected areas and timely delivery of aid supplies to populations in need. The use of drones (or unmanned aerial vehicles, UVAs) in humanitarian action has emerged rapidly in the last decade and continues to expand. Used: In the US make a post here with your budget stating that you need just a turntable or an entire setup, and list a town or zip code, does not need to be your exact one just one next door or nearby. Low to mid budget starter Turntables and Speakers starting at around $100 for each component. Orders can be collected from our store at 11 King Street, Hereford, HR4 9BW.What is needed in a setup: Turntable, Phono Preamp, Amp or Receiver, Speakers. As soon as your order has been completed and is ready for collection a member of our team will be in contact with you. We offer a free ‘Click & Collect’ service on all items. After your order has been placed, a member of the Hifi Gear team will contact you to arrange a convenient date and time for your local, personal delivery. We offer a local delivery service for a large number of our products. UK Delivery orders are sent via our couriers' DPD Local on a next-day-delivery service and usually take between 1 and 3 days.Ĭertain manufacturers disallow mail order for their products, however a local delivery may be possible. Out of stock items will be dispatched as soon as they become available, which can take between 4 to 21 days Postage and packing is completely free for orders over £100*. Providing your item is in stock, the order is usually dispatched within 24 hours. Project has extended the range of turntables they offer at all popular price points and performance levels, through midrange to high-end models. It was a great success, like all other turntables on the market at that time were at least £100 more expensive, without offering a performance benefit. Project started in the hifi business designing and manufacturing affordable stereo turntables in the early 1990s, beginning with the entry-level Debut model. The traditional rectangular footprint has timeless minimalism and is made of MDF for its excellent anti-resonant properties, and this tendency to minimise vibrations continues throughout the Debut design. Structurally, the Debut Carbon EVO is most recognised by its expertly finished main chassis, available in nine elegant finish options. The chassis is made out of an MDF which is good for eliminating any sort of vibration throughout. The Debut Carbon EVO is a very well-known turntable for its looks, again, this comes available in 9 different finishes, perfect if you're either looking for it to blend in or better yet, stand out in some people's eyes. The tonearm system will deliver you a truly high-end sound quality with a very detailed sound presentation in any sort of music genre, we know this one is going to be a hit. In combination with this, the EVO is fitted with the outstanding 2m Red Moving Magnet Cartridge, special sapphire bearings, high-purity copper internal tonearm wiring and a shielded termination box. The Debut Carbon EVO comes with an 8.6" one-piece carbon fibre tonearm, this has been chosen due to its very optimal acoustic properties, you rarely see any sort of turntable at this price point with any sort of carbon fibre on it which is what makes the EVO stand out more than others when it comes to appearance. The EVO has a three-speed control, allowing you to play at 33, 45 and 78 RPM records, this can be controlled through a new three-way position rocker switch. As mentioned before, this takes its name from the previous multi-award winning Debut Carbon, this expands on what the that achieved and takes it further thanks to newly developed engineering capabilities. This manual turntable is designed to give you a high-quality audio performance with realistic high-end credentials from an affordable package that's not only got the performance, but also the looks. The new Debut Carbon EVO is the updated version of the previous Debut Carbon. What will you miss when it leaves Netflix in January 2021? Let us know in the comments down below. Fireplace 4K: Crackling Birchwood from Fireplace for Your Home.Fireplace 4K: Classic Crackling Fireplace from Fireplace for Your Home.Tyler Perry’s Madea’s Big Happy Family (2011) Subscribe 13K 4M views 1 year ago fireplace 10hoursvideo fireplace4k Enjoy this incredible relaxing fireplace with crackling logs and fire sounds 10 hours 4K This beautiful fire burning.To Wong Foo, Thanks for Everything! Julie Newmar (1995).internet connection speed of 15 megabits per second or higher. A 60Hz TV or computer monitor compatible with Ultra HD streaming from Netflix. To watch Netflix in Ultra HD, you need: Netflix plan that supports streaming in Ultra HD. The Story of Us with Morgan Freeman (Season 1) How to watch Netflix in 4K Ultra HD Ultra HD streaming is available on Netflix on many 4K devices.The Story of God with Morgan Freeman (Seasons 1-3).Pirates Who Don’t Do Anything: A VeggieTales Movie (2008).Lemony Snicket’s A Series of Unfortunate Events (2004).Lego Friends: Girls on a Mission (Season 1).Knights of Sidonia (Seasons 1-2) Netflix Original.Indiana Jones and the Temple of Doom (1984).Indiana Jones and the Raiders of the Lost Ark (1981).Indiana Jones and the Last Crusade (1989).Indiana Jones and the Kingdom of the Crystal Skull (2008).I Now Pronounce You Chuck and Larry (2007).Eternal Sunshine of the Spotless Mind (2004). Alpha and Omega: The Legend of the Saw Tooth Cave (2014).January 2021 will also be a notable month as it’s when the Disney contract between 20 officially comes to an end with the final movie to come from that deal, Mary Poppins Returns leaving for its new home on Disney+.įull List of What’s Leaving Netflix US in January 2021 What’s Leaving Netflix on January 1st, 2021 Movies leaving on the first of each month is nothing new but a few movie franchises will be departing in full including all of the Back to the Future movies and the Indiana Jones library. It is okay to have fun and do whatever you want. How does technology affect their relationships with the environment, animals, and nature around them? Consider the Appearance Of Your Race This could be part of the history for any subraces that your Homebrew might have.Ĭonsider how advanced this civilization is compared to others.ĭo they feel inferior or superior to other races? Take a look on who is at the bottom of everyone. This hierarchy can be used to determine your average technology and mindset level. These factors can have a significant impact on the way you think about your race. Is it a king, or a council made up of priests and bishops? The second is to look at the structure of the social hierarchy. Is he in the field, has there been major urbanization, or are they still hunter-gatherers or hunters? The first is, what does an average citizen do? You can find other civilizations that you find interesting in our real history. To find inspiration, you can always look at real-life experiences. It doesn’t necessarily have to be negative, but it can be used to explain why this race behaves the way they do or why their population is so small. This should be something that is very significant and still lingers in your race’s collective mind. This could hinder your story or limit you. It can be dangerous to begin putting out exact dates. I try to find at least 3 positive and 3 negative things. You don’t need to write a thesis on them.Ī few paragraphs with interesting facts are fine. Was there genocide committed by another race thousands years ago? Is there something significant that has happened to them?Īs if a God had sent them to a holy place made of gold to live in. It is important to think about the major events. History and civilization go hand in hand. My experience is that DnD loses a lot of its immersion element if you just try to fit in a random race into the world. Read Also: 7 Best Ideas & Activities For Downtime in D&D 5E You can skip this part if you don’t like telling stories or you love making up things as you go along. You can skip this section if you are just interested in playing your race and don’t care about other people playing it. It is important to determine which abilities your new type has and how they fit into the world.Īsk yourself: What niche does this race fit into?ĭoes it have enough power to impact the battle but not take over? Get started with History and Building a Civilization History Your brainpower and time should be spent thinking about the strength of this race at the beginning and how it progresses. Perhaps there is one common goal among this race, such as finding a lost city and retaking part of their ancestral homeland. What is their history and how do they influence the world today?Īre there any legends or gods that they are associated with in this world? It is a good idea if you have a knack for sketching to create rough sketches that will help to bring life to your Homebrew race. Give a brief overview of the culture and how it looks. While you don’t have to write a whole novel about your race, it is important that you at least have information about how the race interacts with other races and creatures. The first thing I recommend is to look at lore and background. I’m a huge fan of storytelling and world-building. Finnick – Tommy Listerįinnick is a fennec fox with a big chip on his adorable shoulder. He is a small-time weasel crook with a big-time weasel mouth, who tries to give Judy the slip during a police chase. Duke Weaselton – Alan TudykĪfter voicing characters in Wreck-It Ralph, Frozen, and Big Hero 6, Alan Tudyk once again returns to Disney Animation as Duke Weaselton (get it?). Hopps, he worries about Judy moving to Zootopia and the untrustworthy big-city mammals who live there-especially foxes. Judy’s father, Stu Hopps, is a carrot farmer from Bunnyburrow. Hopps loves and supports her daughter, but is a “hare” nervous about Judy moving to Zootopia to become a big-city police officer. Bonnie and Stu Hopps – Bonnie Hunt and Don Lakeīonnie Hopps is the mother of Judy-and her 275 brothers and sisters. When Judy Hopps is on a case, Yax is full of revealing insights. Yax the yak is the most enlightened, laid-back bovine in Zootopia. Bellwether – Jenny SlateĪssistant Mayor Bellwether is a sweet sheep with a little voice and a lot of wool, who constantly finds herself under foot of the larger-than-life Mayor Lionheart. From his reception desk, he greets everyone with a warm smile and a helpful paw-covered in sprinkles. Clawhauser loves two things: pop star Gazelle (voiced by Shakira) and donuts. Nate Torrence is the Zootopia Police Department’s most charming cheetah, Benjamin Clawhauser. Otterton is a desperate otter who turns to Officer Judy Hopps for help in solving her husband’s mysterious disappearance. Mayor Lionhearted is the mayor of Zootopia who coined the city’s mantra that Judy Hopps lives by: “In Zootopia, anyone can be anything.” Mrs. He is reluctant to add Judy Hopps, Zootopia’s first bunny cop, to his squad of hardened rhinos, elephants, and hippos. Bogo is a tough cape buffalo with 2,000 lbs of attitude. “I’ve done a bit of that kind of acting before so I guess that’s why they called me.Chief Bogo is the head of the Zootopia Police Department. “Nick is sarcastic with a lot of dry wit,” says Bateman. Nick is cynical and hilarious in a Jason Bateman kind of way.” “But Jason Bateman somehow makes him likable, appealing and oddly charming. “Nick isn’t exactly a nice guy,” says Jared Bush, co-director and one of the screenwriters. Jason Bateman was called on to give voice to the sly fox. He believes deep down that no one will ever trust him because he’s a fox.” He doesn’t care what the city motto is, he does not think anyone can be anything.”Īdds director Rich Moore, “Nick believes that we are what we are and that’s all we’ll ever be. She grew up in the country-he grew up in the city. “He’s a complete cynic,” says director Byron Howard of Nick. Determined to prove herself, she jumps at the opportunity to crack a case, even if it means partnering with Nick Wilde-a fast-talking, scam-artist fox-to solve a mystery. But when rookie officer Judy Hopps (Ginnifer Goodwin) arrives, she discovers that being the first bunny on a police force of big, tough animals isn’t so easy. In the film, Zootopia is a place where no matter what you are-from the biggest elephant to the smallest shrew-you can be anything. Golden Globe-winning actor Jason Bateman (TV’s “Arrested Development,” “Horrible Bosses”) provides the voice of Nick Wilde in Disney’s new comedy adventure “Zootopia.” Nick Wilde is a very charming and very sly small-time, con-artist fox with a big mouth and a lot of opinions. |
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